the love terrorist(revision#2)
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
the next day
you said love
can't last
it's always ready
to destroy itself
I wanted to strap
you to me
end it right there
the love terrorist(revision)
I can stay under water
for only so long
I can fly
in my dreams
now if I could only
fly into yours
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
the next day
you said love
can't last
it's always ready
to destroy itself
I wanted to strap
you to me
end it right there
the love terrorist
she said to me eternity
that's what love is
a long time
without hate
even longer
than the tides going
in and out
all is sand
trickling through
our fingers
I can stay under water
for only so long
I can fly
in my dreams
now if I could only
fly into yours
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
the next day
you said love
can't last
it's always ready
to destroy itself
I wanted to strap you
to me
end it right there
the love terrorist
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- Posts:2164
- Joined:18 Apr 2005, 04:57
Re: the love terrorist
Hi Billy.
The Terrorist of Love - I'm hearing Steve Miller's "some call me 'the gangster of love' "
From here down is good poetry writing, and skillfully treatment of the metaphor:
I can stay under water
for only so long
I can fly
in my dreams
now if I could only
fly into yours
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
the next morning
you said love
can't last
it's always ready
to destroy itself
I wanted to strap you
to me
end it right there
^^ good close - fulfilment of the extended metaphor
The 1st 3 stanzas are rather familiar, esp the tides & sand. How needed are they; how much of them?
she said to me
that's what love is
a long time
without hate
even longer
I can stay under water
for only so long
Billy, good to read & workshop your poem
Michael (MV)
The Terrorist of Love - I'm hearing Steve Miller's "some call me 'the gangster of love' "
From here down is good poetry writing, and skillfully treatment of the metaphor:
I can stay under water
for only so long
I can fly
in my dreams
now if I could only
fly into yours
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
the next morning
you said love
can't last
it's always ready
to destroy itself
I wanted to strap you
to me
end it right there
^^ good close - fulfilment of the extended metaphor
The 1st 3 stanzas are rather familiar, esp the tides & sand. How needed are they; how much of them?
she said to me
that's what love is
a long time
without hate
even longer
I can stay under water
for only so long
Billy, good to read & workshop your poem

Michael (MV)
Re: the love terrorist
Thanks, Michael, you're so write. The first part of the poem was like priming the pump. It is superfluous and cliche. I've lopped it off.
-
- Posts:2164
- Joined:18 Apr 2005, 04:57
Re: the love terrorist
Hi Billy,
I need to clarify, please:
given near the close:
"the next morning
you said love
can't last
it's always ready
to destroy itself"
^^ I'm suggesting to retain what she asserts initially(and I have workshop modified the wording):
she said to me
that's what love is
a long time
without war
the peace even longer
^^ this in the course - the next morning - becomes contradicted:
"the next morning
you said love
can't last
it's always ready
to destroy itself"
thus prompting the terrorist of love:
I wanted to strap
you to me
end it right there
Keats' "Grecian Urn" poem is referencing.
Then the lyric: I just died in your arms tonight.

Michael (MV)
I need to clarify, please:
given near the close:
"the next morning
you said love
can't last
it's always ready
to destroy itself"
^^ I'm suggesting to retain what she asserts initially(and I have workshop modified the wording):
she said to me
that's what love is
a long time
without war
the peace even longer
^^ this in the course - the next morning - becomes contradicted:
"the next morning
you said love
can't last
it's always ready
to destroy itself"
thus prompting the terrorist of love:
I wanted to strap
you to me
end it right there
Keats' "Grecian Urn" poem is referencing.
Then the lyric: I just died in your arms tonight.

Michael (MV)
Billy wrote:Thanks, Michael, you're so write. The first part of the poem was like priming the pump. It is superfluous and cliche. I've lopped it off.
Re: the love terrorist
Billy,
I enjoyed the revised version because you are able to connect emotionally I also love the metaphor usage.
I enjoyed the revised version because you are able to connect emotionally I also love the metaphor usage.
Re: the love terrorist
the love terrorist
she said to me eternity
that's what love is
a long time
love you long time? 5$ cliché
without hate
even longer
than the tides going
in and out
You don't need to tell me tides go in and out; Trust the metaphor to convey the message.
all is sand
trickling through
our fingers
Grammatically I don't like it, and as a metaphor for the passage of time it is an absolute cliché, but if you're not at the publishing stage yet then don't let that bother you.
I can stay under water
for only so long
Again cliché
I can fly
in my dreams
now if I could only
fly into yours
More clichés
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
There's some intimacy here but you could intensify that dramatically with a little insight, such as what was she still dreaming of? By knowing what she's thinking it conveys more of a relationship between you, and could discretely add to the narrative.
the next day
you said love
can't last
A predictable Volta, but the shoe doeth fit.
it's always ready
to destroy itself
I wanted to strap you
to me
end it right there
Ending a poem for me is generally harder than starting one, and ending on an ending as you did here is a witty twist I can imagine you worked at. But, it is not in keeping with the sensetive tones of your earlier work, to the point that it seems more 'out of place' than a slight jolt.
Please feel free to take what I say with a pinch of salt, as I'm more than a little rocky myself.
she said to me eternity
that's what love is
a long time
love you long time? 5$ cliché
without hate
even longer
than the tides going
in and out
You don't need to tell me tides go in and out; Trust the metaphor to convey the message.
all is sand
trickling through
our fingers
Grammatically I don't like it, and as a metaphor for the passage of time it is an absolute cliché, but if you're not at the publishing stage yet then don't let that bother you.
I can stay under water
for only so long
Again cliché
I can fly
in my dreams
now if I could only
fly into yours
More clichés
I woke up
you were still dreaming
I held you
as closely as I could
without waking you
There's some intimacy here but you could intensify that dramatically with a little insight, such as what was she still dreaming of? By knowing what she's thinking it conveys more of a relationship between you, and could discretely add to the narrative.
the next day
you said love
can't last
A predictable Volta, but the shoe doeth fit.
it's always ready
to destroy itself
I wanted to strap you
to me
end it right there
Ending a poem for me is generally harder than starting one, and ending on an ending as you did here is a witty twist I can imagine you worked at. But, it is not in keeping with the sensetive tones of your earlier work, to the point that it seems more 'out of place' than a slight jolt.
Please feel free to take what I say with a pinch of salt, as I'm more than a little rocky myself.