Gone,
her whiplash laughter,
beyond
full knowing,
dream drift
gone solo.
In sunshine volumes,
through ancient
portals,
her steps
are history,
a chapter
in the book
her face
holds hostage.
My momentum
is lost,
plagued
by atrophy.
Parting
calls up
a crossing roar,
one-way streets
turn
on themselves.
I double back
on the narrative,
store away images,
recall her line,
rolling in after-sex
cigarette haze:
"If I die tonite,
I won’t remember this,
so, honey,
I’m gonna live forever."
It will summon
her voice
when,
wretched,
alone,
I bang up
against a wall
I think,
I know,
I should
get over.
Remaindered
Re: Remaindered
rw---
and welcome.
your poem paints a picture and tells a story.
i liked these two verses especially:
dream drift
gone solo.
and
my momentum
is lost.
i like the almost aside here, almost a throwaway line:
I won’t remember this,
so, honey,
I’m gonna live forever."
not red hot for the word shed.
It will summon
her voice
when,
shed of companions,
I face
a tall rampart
to my thought,
a little starchy.
hope to see more of your work.
bernie
and welcome.
your poem paints a picture and tells a story.
i liked these two verses especially:
dream drift
gone solo.
and
my momentum
is lost.
i like the almost aside here, almost a throwaway line:
I won’t remember this,
so, honey,
I’m gonna live forever."
not red hot for the word shed.
It will summon
her voice
when,
shed of companions,
I face
a tall rampart
to my thought,
a little starchy.
hope to see more of your work.
bernie
Re: Remaindered
thank you Bernie - Glad you liked some of it. "starchy" - that's a new one to me - but I know what you mean,
pompous or something close? I try to keep my distance from that kinda thing - this one's easily fixed though -
thanks for the welcome - appears to be some serious, intense writing going on here - and I do agree with you
on "shed" - not written in granite - RC
pompous or something close? I try to keep my distance from that kinda thing - this one's easily fixed though -
thanks for the welcome - appears to be some serious, intense writing going on here - and I do agree with you
on "shed" - not written in granite - RC
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Re: Remaindered
I liked stanzas 2 and 4 the best...esp. these lines:
"If I die tonite,
I won’t remember this,
so, honey,
I’m gonna live forever."
"If I die tonite,
I won’t remember this,
so, honey,
I’m gonna live forever."
Re: Remaindered
Thanks Bob - That passage was sort of an afterthought - I was thinking I needed to
lively it up a bit and this came through - makes her less mysterious than she would
have been without it. Best - RC
lively it up a bit and this came through - makes her less mysterious than she would
have been without it. Best - RC
-
- Posts:2164
- Joined:18 Apr 2005, 04:57
Re: Remaindered
Hi RC, and Welcome
in general kinda wordy -
workshop consider for the opening:
Her whiplash laughter,
beyond full knowing,
dream drift
gone solo.
and stream-line stanza 2:
In sunshine volumes
a chapter
her face bookmarks.
possible stanza 3 & 4 can be combined & distilled into one - maybe starting as
Before my momentum ends
I summon your voice
rolling in after-sex
cigarette haze:
"If I die tonite,
I won’t remember this,
so, honey,
I’m gonna live forever."
I, too, esp like that passage Bob highlighted -
I like the defiance of:
"If I die tonite,
I won’t remember this,
so, honey,
I’m gonna live forever."
^^ And end w/ those strong lines - what follows, that last stanza is overwrite
workshop-wise how about
"If I die tonite,
I won’t remember this,
so, honey,
we're gonna live forever."
or
If I die
still I will not forget this nite
'cause we're gonna live forever
RC, I have enjoyed reading & sharing workshop for your poem Remaindered

Michael (MV)
"Almost a breakdown of our love affair
The stiletto cuts quick like a whip through the air
Long distance winners will we survive the flight
Not one of us runs from the fire light."
^^ S. Nicks / FM "Fireflies" (1981)
"I run around like a spirit in flight
Fearlessness is fearlessness
I will not forget this night
Dare my wild heart
Dare my wild heart"
^^ Stevie Nicks "Widheart" (1981)
Re: Remaindered
Michael - I always go for rhythm - those cuts kinda mess that up - meaning/content maybe but I'm partial to the way the original sings - flats/sharps an' all - Thanks though - I see what you're getting at - I'll play with it and see if I can get some of those cuts in tune - appreciate the look - and OHH Man do I love Stevie Nicks - have been watching her duets with Tom Petty - can't beat 'em - Best - RC